Archives for the month of: March, 2009

suskind1

 

 

 

 

 

 

 

 

 

 

 

 

 

This month I’ve read:
Perfume by Patrick Süskind
A Spot of Bother by Mark Haddon
With Your Crooked Heart by Helen Dunmore
The Immoralist By André Gide
and I’m almost at the end of Restoration By Rose Tremain


and I’ve been dipping in and out of:
Visual Research by Ian Noble & Russell Bestley
Web Technologies for Designers by James Gordon Bennett
Word Into Art; Artists of the Modern Middle East by Venetia Porter
London: The Biography by Peter Ackroyd
and reviewing copies of:
Copywriting: Successful Writing for Design, Advertising and Marketing by Mark Shaw
Production for Graphic Designers (5th Ed) by Alan Pipes
Graphic Design Essentials: Skills, Software and Creative Solutions by Joyce Walsh Macario

Cockahoop! by Cerys Matthews
Mali Music by Damon Albarn
Small Change, Franks Wild Years & Nighthawks (again!) by Tom Waits 
The Source by Ali Farka Toure
Live in Boston by The Police
Hole In It by Eddie Bo
Viaticum by Esbjorn Svensson Trio 
64-95 byLemon Jelly 
Murder Ballads by Nick Cave
Talking Timbucktoo by Ry Cooder & Ali Farka Toure
Moonsung by Sheila Chandra
El Corazon by Steve Earle
Faith by The Cure
Raw by Chris Murray
The Tired Sounds of Stars of the Lid by Stars of the Lid

It’s three months in and time for a brief look at the state of the blog. First, the obligatory statistics:

Blog duration 3 months/97 days
Entries 35
categories 13
comments 26
total number of views 1,251
highest number of views on one day 68 (Wednesday, March 18, 2009 – what were you doing?)
average number of views per day 28
most viewed entries Projects (84) followed by Where are you now? (70)
          (All statistics as of 3.30pm, Sunday 29 March)

Not bad for the first few months I guess. I’m quite encouraged by the amount of casual traffic the blog has had, given that I’ve not advertised it much. Not as many comments as I’d originally expected though. One or two of you are chipping in now and again, but I’d like to get a few more people regularly adding their two pence.

So, in the open spirit of the blogosphere, I would like a few comments about the blog to help me as I progress. What entries have you enjoyed and why? Is there any particular subject matter you would be willing to add your thoughts and ideas to? What else would you like to see on a blog like this? Also, if you are a silent blogger – you know, the type that reads lots of blogs (or just this one) but doesn’t contribute any comment, what might encourage you to become a bit more involved? (I guess that you won’t respond to this!!!)

I am going to continue the blog whether anyone is looking or not as I have found it quite a pleasant diversion from more pressing matters and am still enjoying worrying about what I might post each week. It’s odd though, putting all this stuff out there, a bit like shouting into the Grand Canyon and not getting an echo…

Jon Lawrence, musician, songwriter, ethnomusicologist, lecturer and all round top geezer has asked me to design the packaging for his new CD. I’ve worked with Jon on music packaging a couple of years before, on a project called Albatross Bay, which, although restricted by a low budget, came together very well, taking advantage of the low cost production of the standard CD jewel case format, but with the addition of a hand stamped brown paper bag outer wrap.

alb-bay-cd

After listening to a first rush of the CD, provisionally titled ‘Only the Sun’, I talked to Jon about my initial responses; that the songs I’d listened to had a really crafted feel; genuine and personal. A couple of tracks are really catchy too, with a playfulness in the lyrics. Jon had already stated that he was keen to get himself on the cover, and my first thought was to make a print image rather than use a standard photograph. Partly this reason was personal – I have been wanting to do some more directed printmaking, but also it seemed to fit the personal nature of the songs. I showed Jon my etchings (oo-er missus!) and monoprints and explained the processes. I suggested the monoprint route as it offered a much looser feel: Jon responded well to this but I feel he had some reservations. I suggested we take some images, which would give me something play with, and him, something to think about.

25 MARCH I took a series of photos of Jon with a guitar that he used throughout the recording. I took 20 images in all, with a view to shooting more as ideas progressed.

jon-session

I met with Jon a couple of days after to discuss the results of the shoot and we both agreed that there were two images that were the strongest, with three or four more good for details of the guitar and ‘lost in music’ facial expressions. Jon was still keen on the monoprint idea but needed a clearer visual to get the full effect. I will be preparing a couple of quick trials in a couple of days to generate something a little more concrete to work from. I expect to make quite a few attempts to achieve the quality I’m after, so these early trials should give me some valuable information to work on with.

We The Robots – brillant! Nuff said!

we-the-robots

fishnchips

Spent the day in Sheringham on Saturday. It turned out to be a proper British seaside day – blue skies with a bit of a nip in the air, but without the senseless crowding and endless tailbacks that usually mar a fair weathered weekend on the east coast. OK, so it is not quite the holiday season, but it made a nice change. Anyway, you don’t go to the seaside without the customary wrap of fish and chips, and this was no exception. Fish and chips for me and Mrs Lestaret, with chips and sausage for Uppercase and just chips and ketchup for Lowercase. (pictured above)

Which got me thinking (it’s the change in the weather that does it – either that or the five litres of highly chlorinated water I swallowed at the leisure centre earlier!) about the letter n. Don’t get me wrong, I wasn’t sat gazing across a placid seashore thinking abstractedly about letters, just the n. Usually, but not always the lowercase n.

When did we start to use it instead of the word and? As in fish’n’chips of course. It seems to be a particularly British thing, and obviously more noticeable at the seaside; I don’t recall seeing it anywhere else in the world. We do it quite a lot too, but only with food apparently – salt’n’pepper, salt’n’vinegar, pie’n’mash, stew’n’dumplings, rhubard’n’custard etc.

Why don’t we use it more consistently? Apply it to other instances not related to foodstuffs. It may change our perceptions on the world. Just think, you could lose your licence for drink’n’drivin’, be arrested for assault’n’battery, and if Charles ever gets on the throne, we may well have a King’n’Queen! Gawd bless ‘em!

So I continue in this vein on the way home – relating to designerly things of course, (got to get a blog entry from somewhere!) and starting with H’n’J’s of course, upper’n’lowercase, work’n’turn/work’n’tumble, recto’n’verso sprang immediately to mind. Then I run out of steam. Shame really, as I thought there was much more to this and I could finish with an any suggestions? type of thing. 

Now I appreciate that this isn’t the most intellectual entry, neither is it useful, or very probably not even mildly entertaining, but there you go. It’s been a quiet week. I’ll be back on form soon. There’s a couple of CD covers to design, and some slip casting in the offing, as well as a couple of books brewing… keep on coming back!

By the way, I did a short book making session on Thursday with my fist year graphics students (Hiya!) which seemed to go quite well. I was going to blog it up here, but Ms Feisty has already done a splendid job here which is why this entry is a bit dull!

radiobigvector1

I’ve just completed this illustration of a 1980’s style radio (oh, the nostalgia!) and thought I’d share it. Go on – click on it and have a look at the bigger image; I’ll still be here when you get back.

All done in Adobe Illustrator of course, but I figure you’d already worked that one out from the title! I actually started it last year for a t-shirt design, but much simpler so it could be colour separated for screen printing. I’ve been coming back to it every now and then for a little vector therapy, and It’s probably as finished as it’s going to be.

radiotee

The original image was hacked from the web ages ago and was sat in my ‘random images’ file. I’ve since tried to find it again without success (note to self – if you are asking your students to log their sources, do it yourself!) so if anyone finds this entry and wants a credit, please get in touch.

I’m not going to do a step-by step guide – there are loads of them already on the web – but I thought I’d point out a couple of details that  think went particularly well and leave it at that. Firstly, I love the outline view on a complex vector image, and although this is not that complex, I enjoy seeing the framework of the image as well as the end result:

radiovector1

Ok, so I’ve tidied up a few bits and pieces (artistic licence!), but as this scrolls through from original – outline – preview and back it shows that the majority of the image is pretty faithfull to the original. The main areas are obviously the patch on the left and the dial on the right, both of which look ugly on the original.

radiovectorkcrop1

subway-11

 

 

 

 

 

 

 

 

This afternoons email brought me a link to great website gallery of american posters and various other printed ephemera.  The link directed me to a selection of New York subway destination scrolls, used to inform passengers like the ones ignoring them above!

Although there is no history to how these typographic remains ended up here (but just by looking at them, I’m sure you know why they were saved, and what kind of person saved them!) The scrolls have obviously been salvaged from somewhere and are now available to order as posters. I want one. Or two.subway-scrolls

Chris, who sent me the link, is currently creating an all caps font based on these uniquely New York letterforms and I hope he will let me post some examples here when he does.

Seeing these evocative letterforms and recognising the quirky vernacular of 1940′s NY struck a chord as I had been talking to students this morning about Adrian Frutiger’s work on the Paris Charles de Gaulle airport, and how he had strove to imbue the letterforms with ’Frenchness.’ He went to live and work in Paris to ‘soak up the vernacular’ in order to get there.

 

frutiger2 

 

 

 

 

 

 

 

 

 

 

 

I’d like to think he did, just as Speikermann has with Berlins unified transport system, but perhaps not quite as successfully as Edward Johnston, Eric Gill, Margaret Calvert and Jock Kinnier have done for Britain…

ADDENDUM

I really should have mentioned Hoefler & Frere-Jones’s subliminal Gotham in this post. A modern masterpiece derived and distilled from American vernacular type, from architectural signage to hand painted sale boards. A beautiful American classic face with a great story.

textures

I’ve just spent a bit of time uploading some new images on Flickr. More old books, some textures (add some ‘zing’ to your layers with one or more of our great new textures!) and a few other oddments.

I’ve got tons of stuff to upload, and it’s taken a while to sort these out, but I guess I’ll get on to it sooner or later!

Oops. I forgot to post this one…

Finished the Blue Manuscript (not as good as I’d expected it to be)
The Pornographer of Vienna Lewis Crofts  (excellent – highly recommended – a fictional account of the artist Egon Schielle)
Selected Poems Paul Verlaine (mmmm!)
Les Enfants Terrible  Jean Cocteau (excellent again – a french classic, weird in a David Lynch sort of way…)

And I have also reviewed the second revised edition of Type & Typography by Baines & Haslam for the Publisher Laurence King (and very good it is too – deserves to remain at the top of the must-have books for students)

I’m thinking of giving a more detailed review of some of these books; is that something anyone would like to read?

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