Archives for the month of: December, 2010

Aah,’tis the season to be jolly! Perhaps, or perhaps not, but  it certainly the season to be sending out greetings cards to family and friends, both old and new. This year I decided I would design and print the Lestaret family christmas card and the process began way back in August whilst on holiday in Devon. I spent a few evenings upon the terrace carving out lino blocks, sipping wine and watching the boats go by as the sun went down… Sorry, I just drifted off a bit then with that memory.

Anyway, I didn’t record any of that, but decided to record the printing as I had decided upon a three colour design and thought that it might be an interesting christmas post. We’ll soon see… The first image shows the mixing stage of the first colour; a pale green. I mixed a little too much ink and quite a bit spare afterwards which I used upon some odds and ends, but still ended up wasting quite a lot.

I roughly cut the outer parts of the block radiating from the centre, deliberately leaving some peaks to pick up the ink. I normally am a bit of a stickler for removing these parts cleanly, but wanted to use them to create a tinsel-like halo around the design.

There is a bit of  ‘Mickey Mouse ears’ about these drying on the lines overhead! A few days later (the ink dries quickly in the summer!) and I was ready to put down the second colour:

A mid green was mixed this time (a little more sparingly this time) and the second block was inked up and ready to go.

If you are wondering what the heck is on these christmas cards, well, you ought to know that they are sprouts, a most beloved or derided part of the traditional English Christmas Dinner!

I enjoyed this second stage as the design began to appear, but also to see how the ink reacted to the layer below. In the print above, you can see that I used too much pressure and squeezed out the ink to create the darker lines around the shapes.

The outer edge was also roughly cut in the same way as before to add more lines to the background.

You can see the design taking shape here, but it is when the third colour was printed the following week that the whole process took effect:

Very sprouty!

So after three runs through the nipping press with the lino blocks it was time to set some type and get the message onto the inside.

This is not a traditional Christmas greeting you understand, but a common phrase heard as the Christmas Dinner is served, and can be uttered in both positive and negative intonations…

mmm… 24pt Times Roman Italic! And of course, my own little marque in a festive berry red upon the back for good measure:

And lo! A card was born, and Mrs. Lestaret didn’t think it was christmassy enough and sent out some cheesy shop-bought cards instead. I managed to send out quite a few though, so if you got one of these this year – think yourself lucky – if Mrs. Lestaret had her way they would have been consigned to the ’round file…’

Have a great holiday, bloggereenies!

I’ve been quietly beavering away (yes, beavering!) at my asemic writing these last few weeks. Just a little here and there between other things, or whenever the mood has taken me.

I have been using a number of the dip pens I bought recently and have been practicing my ‘script’ in preparation for a much larger scale piece I am planning for next year. I especially like the fine nibbed mapping pen and creating tiny figures:

I like the feel of this sort of ‘penmanship’ -and when I’m sat beneath my old anglepoise (another project waiting to happen) with all the pens, ink, papers, testers and wipes, I feel far removed from the CTRL+Z environment I spend most of my time in, and like to think of those scribes who laboured through their lives using such tools.

I am making simple compositions on small, pre-creased sheets of thin watercolour paper I had left over in an old book. and eventually will bind them in some way, but I don’t really have much in the way of planning or overall idea of how these will end up.

I am enjoying the setting up, the continual prepping of the pens, as well as doing just a little each time, setting aside a batch to dry overnight. It is a good thing to see in the morning…

Some of the things I draw are quite interesting. Some are quite good. Others just ‘are.’ I am not organised enough to be constantly carrying around a particular book, or even consistent enough to fill a book with stuff worth seeing – all of this work was drawn upon whatever was to hand; sometimes books, more often bits of photocopier paper; card offcuts; the back of meeting agendas etc. I have scanned them and superimposed them into an image of a sketchbook just to put them into context – they are not finished pieces, works of art or any form of serious output. It’s the stuff that most of us do, somewhere at some time. The kind of stuff I wish I could fill a sketchbook with.

Every so often I will post a couple of examples, without any explanatory notes or justifications. It’s just another one of the things I do…

I made this little sketchbook recently. It is a seven section casebound book, with tea stained canvas coverered boards. On the front is a metal frame (like on a filing cabinet) with a degraded filing card in the slot.

The endpapers are from an old map of the moon, simply for the fact that I liked it and thought it would provide an odd, retro feel to the book:

The frame isn’t actually screwed on – I sawed off the heads of the screws and glued the lot into place…

I think I have got all of this out of my system now. Sorry.

Snigger.

Fnarr, fnarr!

Snigger, snigger…

I know, I know. Couldn’t help myself…

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