Archives for the month of: May, 2012


Continuing along the skull theme, but this time considering the literary references of skulls, and what better way to open this post with a portrait of Edgar Allen Poe, who appears to have been blessed with a cranium of admirable proportions.


Working from a number of references, I sketched out a few skulls, trying to create a common style , before transferring onto the lino. I also put a bit of red marker down to help with some of the details.


Each skull went through a few test prints, with a couple requiring a little modification before printing on the finished paper.

 

  


These were then printed in black on A5(ish) sheets of handmade grey (which was made from a pinboard rescued from the college skip – it’s classed as a fire hazard these days – and I have a fair bit more to recycle too!)


Most of the sheets are quite thick, which has given me a deep bite to the print, but this stuff needs a little more sizing (diluted cornstarch) in the mix to retard its absorbancy.


Whilst these were drying, I set to work on the next part – some text. At first I was going to letterpress the type, but decided that it would look a little too clean and sharp against the linocut, so opted for the same technique. I used a sample of the old Fell Types as my model for this, and allowed the imperfections to come through. On the smaller text though, I needed to revisit a section to get a better feel:


And with some deep maroon mixed up, it was back to the press…


I think I will sell these as a set of four in dark grey mattes.


They will join the other skullduggery in the Department of Something Else.

I’m in a reflective mood today. I get like this sometimes. Well, at least once a year, usually on my birthday. A perpetual worrier, and prone to bouts of irresistible melancholia, I often come around to the ‘what is it all about?’ point, sometimes aided by a little liquid encouragement, but not always.

I teach, I design, I print, I make stuff. I try to make a good job of these things, just as I try to be a good husband, father and generally decent bloke. I’m not conceited enough to think that I am actually good at these things, and I am all too aware of my many shortcomings in all of them, but I do try. It is not always successful and I can be a bit of a t**t at times. Ok, a lot.

Life is an odd affair. You can either allow it to happen, and take it as it comes, or try to shape it to fit some ideal or aspiration. Some people have a strong faith to draw upon in times of trouble, and to praise when all is well, others tend to view things with an ‘everything was fine until…’ approach, and look for a cause to focus their frustrations, whilst others can muster up a ‘there are others worse off than me’ even under the most trying of circumstances. There are many other philosophies, doctrines and ideas, and there are many others that I haven’t included, considered or even heard of. It doesn’t matter. It is about what gets you through, what holds you up and what grounds you as well. Glass half full/glass half empty?

I tend to err on the half empty side most of the time. I can’t help it. Irresistable melancholia. But today I as look at my WordPress dashboard, at my stats - views, clicks, links and such are listed clinically in tables, with a super-duper map showing where all these people are who have passed by, whether it was deliberately, by accident, following someone else’s links or a general theme. For pleasure; a hobby, professional interest, visual interest, random surfing. Research; students looking for inspiration or information, fellow creatives, looking for alternative approaches and similar interests, academics needing specific information and looking for the esoteric stuff that doesn’t show up on the Google radar. And the rest.

Anyone who has blogged regularly on any platform (especially WordPress who have an excellent dashboard!) will have gone through that obsessive stage of ‘checking your stats’ especially as you begin to attract a wider audience, and I can confirm the buzz that can be had when your view stats improve, even by a small margin! It’s even better when you notice that the graph scale changes:

But what does it mean?  I don’t know, but I feel honoured by the amount of daily ‘traffic’ (I hate to think of you like that) and very much humbled by the attention that I get by sharing my interests and output with the world at large. Let me share with you what I know.

I have been blogging here since December 2008. Well, it was way into 2009 before I blogged anything original worth reading. That’s just under three and a half years. I began blogging as an aid to motivation; I needed some other influence to spur me into action, and ‘going public’ seemed a good way to go about it. I had tried blogging before and failed miserably, but learned from the experience. What I learned was this: have something to blog about and consider what you would like to read about. That’s it. I have been reading other blogs for some time, sometimes commenting and sometimes lurking, and the largest folder in my favourites is reserved for blogs. I read about stuff I am interested in, and read blogs by those who share something more than what they have looked at on the internet. Who share more than what they have produced – more than just the end result – the pretty pictures. I like to read about stuff in progress, the trials and tribulations of people across the globe, trying to do their thing a little better each time, and allowing us all to share it with them. I am of an age that can reminisce of those days as a student, when research meant hours in a library poring through out of date books looking for clues, and can value the information that is so readily available to me now in the comfort of my own home. Not just the big stuff, but some of those small things that probably only matter to me and a few others today, tomorrow or next week. I know it is a cliché to say that the internet has made the world smaller, but it has.

From the time I began blogging I have racked up just under one hundred and ten thousand views. Others may whistle in admiration at this number, whilst other might snort a derisive ‘pshaw’ at such a paltry figure. Me, I think of it astonishing. No, really; we have become almost immune to big numbers and are regularly presented with millions and billions in debts and deficit on the daily news, and the simplest of Google searches presents us with the first ten out of astonishing numbers of references

We are presented with these extraordinary numbers so frequently that they have become meaningless. Let me illustrate.

There are 86,400 seconds in a day. If you were to count out loud, constantly saying one number every second, not eating, sleeping or going to the loo, for twenty-four hours solid you would reach that number. Doesn’t sound much, but just try counting to 1,000 right now. Go on. I’ll still be here when you give up, or been bloody minded enough to make a point, after all, it would only take you about 17 minutes. That’s 17 minutes of continuous counting. Go on – try it!

 When it is considered in these simplistic human terms, even 1,000 is a HUGE number. 

Todays stats show that I am averaging 187 views per day – a 47% increase on last year and 195% on 2010! On this information I could conclude that I am gaining some popularity. Not exactly ‘trending,’ but then I don’t particularly wish to be ‘on-trend,’ especially when you consider the stuff that actually ‘trends!’ Ultimately I am exceptionally pleased with my statistical growth in this matter.

I have 106 blog followers; people who have enjoyed what they have found here and activated the tool that informs them every time I post something. I can’t actually name 100 people off the top of my head without going ” ooh, and what’s his name who I met at that thing I went to?” 106 is a HUGE number.

This is my also my 400th post. Yay!

Those 400 posts have generated just under 900 comments too!

This week alone visitors from all over the globe have had a nosey at my stuff. I am surprised to see so different countries – USA, Canada and Australia in particular (and not forgetting all you homegrown visitors) and especially the non-english language countries such as Thailand, Venezuela, Chile and Israel. I’d like to say a big hello to those of you who show up on my stats as a single visitor from a far away place - your visits are very welcome – say ‘Hi’ next time you drop by – I’ll put the virtual kettle on!

I am truly humbled by the attention this blog generates. I post things I think others will be interested in, and always consider what I would like to see in a blog before I post. I don’t always get it right, and always think that I can do better, but your continued interest indicates that I’m not doing too bad. I will still try though.


As I said at the beginning, I get like this sometimes, usually on my birthday. I’m 44 today.

Once again, thanks for stopping by. Really.


I really can’t say much more than these images show. The handmade paper is really working out well on these.

But I think this also needs another colour – I would like to print onto the darker brown paper that I made from the recycled cardboard packaging, so would need to pull out the body of the heart, so I set about creating a block , just for solid colour:


I also ran off a few cards on Kraft card – these may make a nice addition to the greetings cards already for sale at The Department Of Something Else.

But it was on the brown paper I really began to enjoy this; laying down a solid block of colour onto rough, soft paper allows for a really visible impression. Then I picked up a damaged sheet of the whiter paper which is much thicker than the brown:


I know this will sound pretty lame, but I did get a bit Homer Simpson over this…


Now if you are one of the few people who do not understand this, go to Youtube and look for Homer Simpson drooling, or just listen here.

I made a very similar noise. I’m going for a shower now.

Ok then, back to work.


I’m using Caligo waterbased inks as usual, magenta and black, mixed a little darker this time as I am expecting the colour to be visibly lighter on the overprinted parts:


My registration jig worked perfectly on these – everyone a winner!


I then went onto the recycled packaging paper…


The results are great – and the white one I drooled over earlier?

I really ‘heart’ printing…


I have an itch that I need to scratch. My skull fixation needs to be further indulged and so I sketched out some more realistic drawings and decided upon another two colour print. I first drew out my skull on layout paper, carefully positioning it in a block measuring 135 x 110mm. On another layout paper overlay, I traced the block size, and the main areas of the skull. I used a grey marker to indicate the general colour areas – these details will be determined by the cutting process.


Carbon paper was used to transfer the image onto the lino. Note how loose the linework is inside the skull. The next stage is the cutting, beginning with the edges and then the open spaces:


The rest is carved away – I won’t see how well I have done this until I go to print, but I have erred upon the safe side and probably left a little too much on. This will probably need some more work.


I decided to print this block before carving the next one – there is always time between printing each colour for more carving. The image above shows the inked-up block – a cool mid grey – on a card jig. This was made at the same time I cut the blocks as I wanted to get a good registration on this. The image below is just a close up of the inked block, but I guess you’re used to seeing this kind of thing here.


The first print is always a test on plain paper. The patchy inking always gets better on subsequent prints, but it is in the linework I am really interested in here. I’m actually quite happy with this as the quality is fairly consistent and so I will do a small run as it is. I may ‘thin it out’ for another print run at a later date though.


First print onto my handmade stock was immensely pleasing. Although I have run a few tests on the handmade paper before, this is the first ‘proper’ print. The paper was ‘trimmed’ to A5 size but without cutting as I wanted to retain the deckle edge. For this I run a water filled pipette down a ruler to wet the paper in a line, left it a few moments and then gently teased the two halves apart creating a fake deckle!


Here are some of the prints drying – there are some prints in the background that will be featured in another post!


As the paper is very soft, it has a visible ‘bite’. Very nice. I also run a couple off on some of my mixed stock paper:


Ready for the next colour. Better get on with it then.


This block needed a slightly different approach. This time, I wanted to control the inner detail and allow the outside parts some freedom to develop. I used a red marker again as this helps to define smaller details. 


The outer edges were simply carved away in a circular motion all the way round. Plenty of peaks and incidental marks left to create a texture that will overprint the solid grey of the last block.


Second block carved. This is my submission for things organised neatly. Enough of this OCD tomfoolery – time to print.


The first print is always a test to check the cutting and to get the block ‘started’ – I find it takes a couple of prints to bring the block up to print ready; getting a few coats of ink on and off the block until there is a uniform result. It’s always good to see ink the block for the first time too!


Using some A5 card for set ups (I printed a couple of extras just for this stage) I checked the registration and the two colour effect – I mixed a little black to some prussian blue for this, and away I went:


The only problem is, that when you start scratching…

You can get one of these lovely prints on my handmade paper from The Department of Something Else


These handsome fellows are printed on my first batch of handmade paper and what a delightful pairing it has made! The softness of the paper has allowed a really visible impression on these small additions to my “Barefaced Linos” collection. They are not uniform in size and range from just 20 to 35mm high!

  

  
These are the ones I printed originally in white ink on Kraft card and look excellent in Prussian Blue on the digestive biscut paper!


I have long been fascinated by the facial reconstructions that often appear in the news, showing how a Neanderthal might look, or how closely Tutankhamun resembled his iconic sarcophagus, as well as those ‘cold-case’ revivals where the unidentified severed head that was found in 1903 finally gains a (possible) identity. Technology, craftsmanship, creative licence and a suitcase full of conjecture; my kind of stuff.


I have also visited a number of ossuaries - vaults for the bones of the dead – a very odd idea if ever there was one. You get buried, you become food for worms, then you’re dug up, cleaned off, and your bones are then stacked up on top of everyone else’s. Often anonymously. Probably the most famous ossuary is the Paris Catacombs, where the old quarries beneath the city were used to store the bones from an overfull (and infectious) cemetery, and has been a source of revulsion and fascination since the 18th century.


These images have been lurking around my consciousness (not a savoury place to go after dark!) for a while now, and recently surfaced after watching news reports about racism (the Muamba/Twitter case)  and hearing the presenters inane ‘analysis’ following the report, which ended with the obtuse cliché: “Well, we’re all the same under the skin aren’t we?” (cue Michael Jackson and Paul McCartney singing Eboneeee and Ivoreee…)

Ok, ok, time to get back on track with this post. Whatever you think, we are clearly not all the same under the skin. There is character held within our bone structures, and although technically we consist of all the same elements in pretty much the same composition, our individuality goes right down to the bone. Please consider how your reconstruction might look 2,000 years down the road…

Regular vistors to this blog will be aware that I carry a sketchbook and will draw, doodle, write (and waste time – Mrs. Lestaret!) and skulls have been a regular feature of late. It’s time to do something about that.


After many weeks of almost habitual skull drawings, even when I was intending to draw other things, I made a decision to make a block to see where this may lead. I carbon paper traced the sheet on the right onto an old offcut of lino - complete with drawings from a long abandoned project – and set to work: 


First getting the shapes and eyes generally sorted…


And then adding the nose, teeth and detailing…


And then removing the negative space. It got quite late by this time and I was getting a little tired and distracted, so stopped., but awoke the next morning and run a test print of the block as it was, just make sure I was going in the right direction. This is probably the first time I have printed a block before it was finished!


Printed with white ink on Lavender Colourplan by GFSmith shows that my block is shaping up exactly as I had planned.


The block, fully cut, mounted on thick board to aid consistency of print and positioning…


White ink is not the most solid of colours – I use it more often as a mixer – but gives a sort of transluclent effect on darker stock, this time some recycled kraft card that I had cut down to 6 x 12″ and folded to make a greeting card format.


This has been a very encouraging process. I am pleased with these results and have been sketching and thinking about other approaches, different styles and alternate styles and can see this growing into something a little bigger.


Watch this space…

Following the last post on recycling post into handmade paper, I thought I’d have a go with corrugated card which is something I often find myself storing up, baling up and taking to the recycling centre. Before I begin I would like to say that there are some excellent videos on paper making on YouTube as well some good step-by-step tutorials right over the web, so I’m not going to attempt to try to add anything to what is already there, but thought I would share my own process. As always I welcome comments and advice from those more experienced, adventurous or curious…

I began with cutting up an old Amazon book package, some offcuts of brown parcel paper and a scrap of green stuff left over from my tickets. The green stuff went in to see if I could add a few flecks of colour into the brown. This was left overnight to soften up.


A minute or so on full pelt in the blender left me with this rather unappetising slop…


…with some encouraging green flecks! Then it is poured into a large plastic tub, into about 4 inches of water.


And vigorously mixed to distribute the pulp throughout…


It’s time I introduced the equipment. This consists of two parts; the mould, on which the paper is created, and the deckle, which gives the paper its edges.


The mould is a simple wooden frame with a mesh screen pulled tight across the top. The deckle is slightly larger and fits over the mould, like a lid with a large hole in it.


As soon as the pulp is freshly mixed, the deckle and mould are held tightly in place and plunged into the pulp mix.


This requires a smooth sweeping downward arc movement from the vertical to the horizontal until the deckle and mould are completely submerged:


The deckle and mould are then gently lifted upwards, keeping it horizontal and not causing too much commotion in the water.


They are then lifted out and gently tipped to drain:


I balance it upon the edge of the tub in order to lift off the deckle. And if you didn’t already know, this is where the term ‘deckle-edge’ originates – this is the untrimmed edge of the paper created by the deckle (‘decke’ – covering in German.)


But this is far from being a sheet of paper; rather a layer of mushy, watery pulp that can be easily wiped off (and reused if you are unhappy with the consistency.) The image below really shows the delicacy, and is of a different mixture that I did later.


The next stage is to remove some of the water. I do this by laying over a sheet of nylon mesh (recycled from screen printing) and using cloths and sponges I gently dab all over to soak up as much excess as I can. The cloth is wrung out into the sink to avoid over diluting the pulp in the tub.


When there is not much more to remove, I take the mould over to a clean dry surface. I am in the kitchen here, and have laid out a disposable kitchen cloth (re-usable too!)  on a glass sheet and I smoothly flip over the mould onto the cloth.


With a dry cloth, I continue to press and dab away any more water. After a short while, the mould can be carefully lifted away… 


…leaving a rather promising layer of wet pulp, trying to look like a sheet of paper. It is still far too wet and fragile to do anything with at this point and needs to dry. So far, I have left mine on a flat surface overnight before transferring them to the garage printshop and hanging them up to dry off fully.


They are much darker when wet, and will be substantially lighter when dry. Here are a few close-ups - the lighter ones are from the same batch of corrugated card with a batch of coarsely blended bright yellow paper pulp:


So what do the final sheets look like?


These are pretty accurate colour matches. They are now going to spend some time sandwiched between stiff card in the press before being recycled again into printed artwork. It’s a very, very satisfying cycle.

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