Archives for posts with tag: ink

A couple of years ago, top calligrapher Paul Antonio came to out college and gave a talk and demonstration. As part of this, he made a pen from a can of coke and produced some beautiful and exotic calligraphic linework. I was reminded of this as I was using my dip pens recently and decided to have a go myself.

Please note, that this is an excellent sponsorship opportunity…

Safety first; if you are going to do this yourself, please drink responsibly – I recommend the night before. I used ordinary scissors to cut open this can, but had to be careful as the edges are extremely sharp.

Not as sharp as the clean, crisp taste of Stella Artois. (See what I mean?)

After flattening out the curve, the can was cut into strips and folded in half, where I cut out my nib.

Using my Archimedes drill I drilled through the shaft of a paintbrush and poked corresponding holes into the nib.

Threaded with wire…

and tightly wrapped to secure it in place. I needed to shape the nib some more to bring the two sides together. I needed to do this three times in all because the aluminium kept splitting.

This one was no exception, but it was fairly high up from the tip so I pressed on regardless.

The pen is loaded by dipping into the ink. I used a watered down indian ink for this. The ink is drawn up in between the two sides by capillary action, and released as the nib is drawn across the paper.

After a little while I gained a bit more control, and discovered ways of holding the pen, and moving the nib to achieve particular qualities of line.

When I pressed on the side of the nib a small spray of ink was released…

By the time I had finished the nib looked just a tired old meat cleaver!

Although I did not produce anything of particular importance here, I am very encouraged by this and will make more. I would like to add these types of line quality to my asemic works alongside the more controlled stuff.

Marvellous invention, eBay! Just got this tiny bottle of ink (only 45mm tall!) in it’s box (70mm tall!) for a couple of quid, complete with the special pen and instructions as indicated. The design wraps over two sides of the box to read horizontally and is also stacked vertically on the other two sides just in case some pre-war halfwit couldn’t decide which way up to put them on a shelf! It does dry an intense black though.

There is no indication of what the contents are on the actual bottle – didn’t anyone ever lose the box? It reminds me of old poison bottles…

The label (16 x 18mm) does come with a very serious warning though, and I half expected another label on the back to continue “or seven plagues of hell will descend upon you and your offspring for eternity.”  Well, maybe not quite as strong as that, but the red ink and four typefaces – FOUR! – do tend to give the impression of dire consequenses for those foolhardy enough to actually the heat the markings before washing.

There is a double sided instruction sheet too, set in various weights and varieties of Gill Sans in black (and red). Double sided instructions? This is just ink, not the Hadron Collider for Pete’s sake!

I like the special instructions for inking on handkerchiefs though. It makes me sad that we don’t care this much for handkerchieves anymore…

The much-vaunted special pen is actually just a nib for dipping into the ink, but it is shiny and clean, just like it would have been when brand new.

I had a bit of a look around for any information on Cooper Dennison and Walkden Ltd, but didn’t find much – they have long since ceased trading, but their victorian ink bottles do come up at specialist auctions and seemed to have been a major brand at some point.

I have included an image of the pack it was posted in too, which was very inky (I feared the worst) but appears to be the result of an over-enthusiastic postal clerk or an inter-departmental war over post-room territory…

Did I mention that it dries an intense black?

Well, it does.

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